The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.

Robert Morrison sets Pride and Prejudice within the social contexts of female conduct books and political tales of terror and traces criticism of the novel from the nineteenth century to the present, including material on the 1995 film adaptation. Extensive introductory comment and annotation complement extracts from critical and contextual texts. The book concludes with fourteen widely studied passages from Pride and Prejudice, reprinted with editorial comment.

In examining the work of eminent fourteenth century Iranian Shiite scholar Nizam al-Din al-Nisaburi, this book is the first rigorous attempt to explain the cross-fertilization of scientific and religious thought in Islamic civilization. Nisaburi did not consider himself a scientist alone, being commissioned by his patrons to work in a variety of fields. Islam and Science examines in detail the relationship between the metaphysics of Nisaburi's science, and statements he made in his Qur'an commentary and in other non-scientific writings. Sources suggest that Nisaburi was inspired to begin his scientific career by the inclusion of basic science in a religious (madrasa) education. By mid-career, he had found methodological similarities between theoretical astronomy and Islamic jurisprudence. Morrison concludes that while Nisaburi believed science could give one a taste of God's knowledge, he realised that the study of science and natural philosophy alone could not lead him to a spiritual union with God. Only Sufi practice and Sufi theory could accomplish that. Morrison's work is remarkable in synthesizing the history of Islamic science with other areas of Islamic studies. It will be of interest to students and scholars of religion and the history of science, as well as readers with a more general interest in Middle Eastern studies. Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009

The ongoing critical fascination with Thomas De Quincey and the burgeoning recognition of the centrality of his writings to the Romantic age and beyond necessitates a critical examination of De Quincey. In this spirit, ten of the top De Quincey scholars in the world have come together in this volume to engage directly with the immense amount of new information to be published on De Quincey in the past two decades. The book features wide-ranging and incisive assessments of De Quincey as essayist, addict, economist, subversive, biographer, autobiographer, aesthete, innovator, hedonist, and much else.

In examining the work of eminent fourteenth century Iranian Shiite scholar Nizam al-Din al-Nisaburi, this book is the first rigorous attempt to explain the cross-fertilization of scientific and religious thought in Islamic civilization. Nisaburi did not consider himself a scientist alone, being commissioned by his patrons to work in a variety of fields. Islam and Science examines in detail the relationship between the metaphysics of Nisaburi's science, and statements he made in his Qur'an commentary and in other non-scientific writings. Sources suggest that Nisaburi was inspired to begin his scientific career by the inclusion of basic science in a religious (madrasa) education. By mid-career, he had found methodological similarities between theoretical astronomy and Islamic jurisprudence. Morrison concludes that while Nisaburi believed science could give one a taste of God's knowledge, he realised that the study of science and natural philosophy alone could not lead him to a spiritual union with God. Only Sufi practice and Sufi theory could accomplish that. Morrison's work is remarkable in synthesizing the history of Islamic science with other areas of Islamic studies. It will be of interest to students and scholars of religion and the history of science, as well as readers with a more general interest in Middle Eastern studies. Winner of the Iranian World Prize for Book of the Year in Islamics Studies 2009

Jane Austen's "Pride and Prejudice" (1813) is perhaps her most popular novel. A work of comedy, wit, romance, it is also haunted by ironic shadows and dark anxieties as Austen traces the fortunes of central character Elizabeth Bennet.
This guide takes the form of a sourcebook, combining reprinted contextual and critical documents with extensive introductory comment and annotation by the volume editor. It is divided into sections as follows:
*"Contexts," which an overview of social and intellectual contexts to Austen's work with a variety of extracts from relevant documents of the time, ranging from female conduct books to political tales of terror
*"interpretations," which traces the reception and academic criticism of Pride and Prejudice from the nineteenth-century to the present, in a series of readings, and also includes material on the 1995 film adaptation of the novel
*"Key Passages," which reprints and offers critical commentary on fourteen widely studied passages of the novel, linking them to contextual and critical material elsewhere in the sourcebook

This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.

This edition makes available in a single edition all of Hunt's major works, fully annotated and with a consolidated index. The set will include all of Hunt's poetry, and an extensive selection of his periodical essays.

James Henry Leigh Hunt (1774-1859) was one of the most prolific and influential writers on British culture and politics in the first half of the 19th century. Hunt's contribution to romantic literature was as extensive as it has proven to be durable, in matters as various as prosodic experimentation and the modernisation of the magazine essay.

Things go wrong in a big way for Candy Somerville when her father commits suicide. Feeling herself responsible, she is driven by guilt into a journey to Thailand on an insane mission. When she arrives in Bangkok in 1992 during the uprising against the military junta, a large amount of heroin is found in her baggage, leading to her imprisonment on a capital charge, in the infamous Klong Prem prison. Her father's old friend, a consul at the embassy, offers to get her legal help but she refuses to talk to him. Her brother and their uncle arrive from Sydney expecting to at least win her bail from prison, but she violently rejects their assistance. Sensing a story, the beautiful Bangkok correspondent for a Sydney television channel works on the brother for information. Meanwhile, the consul and her uncle manage to bribe a corrupt Army colonel to release Candy from prison. Much to her dismay, she is released. And then the colonel discovers he has been compromised by a news report about h

The Victorians are often credited with ushering in our current era, yet the seeds of change were planted during the earlier Regency period (1811-1820) when the profligate Prince of Wales-the future king George IV-succeeded his father. Around the Prince Regent surged a society of contrasts: evangelicalism and hedonism, elegance and brutality, exuberance and despair. Capturing the Napoleonic Wars, the rise of artists-the Shelleys, Austen, Keats, Byron, Turner-scientists and inventors-Stevenson, Davy, Faraday-and a cast of dissident journalists, military leaders, and fashionistas, Robert Morrison captivatingly illuminates the ways this period shaped the modern world.

`Upon her neck and breast was blood, and upon her throat were the marks of teeth having opened the vein: - to this the men pointed, crying, simultaneously struck with horror, "a Vampyre, a Vampyre!"' John Polidori's classic tale of the vampyre was a product of the same ghost-story competition that produced Mary Shelley's Frankenstein. Set in Italy, Greece, and London, Polidori's tales is a reaction to the dominating presence of his employer Lord Byron, and transformed the figure of the vampire from the bestial ghoul of earlier mythologies into the glamorous aristocrat whose violence and sexual allure make him literally a 'lady-killer'. Polidori's tale introduced the vampire into English fiction, and launched a vampire craze that has never subsided. `The Vampyre' was first published in 1819 in the London New Monthly Magazine. The present volume selects thirteen other tales of the macabre first published in the leading London and Dublin magazines between 1819 and 1838, including Edward Bulwer's chilling account of the doppelganger, Letitia Landon's elegant reworking of the Gothic romance, William Carleton's terrifying description of an actual lynching, and James Hogg's ghoulish exploitation of the cholera epidemic of 1831-2. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Shortlisted for the HWA Non-fiction Crown Award 2020 'Superb' The Economist 'Elegant, entertaining and frequently surprising' New York Times The fascinating story of the Regency period in Britain - an immensely colourful and chaotic decade that marked the emergence of the modern world. The Regency began on 5 February 1811 when the Prince of Wales replaced his violently insane father George III as the sovereign de facto. It ended on 29 January 1820, when George III died and the Prince Regent became King as George IV. At the centre of the era is of course the Regent himself, who was vilified by the masses for his selfishness and corpulence. Around him surged a society defined by brilliant characters, momentous events, and stark contrasts; a society forced to confront a whole range of pressing new issues that signalled a decisive break from the past and that for the first time brought our modern world clearly into view. The Regency Revolution is the most thorough and vivid exploration of the period ever published, and it reveals the remarkably diverse ways in which the cultural, social, technological and political revolutions of this decade continue both to inspire and haunt our world.

The titular essay in this volume of work by Thomas De Quincey centers on the notorious career of the murderer John Williams, who in 1811 brutally killed seven people in London's East End. De Quincey's response to Williams's attacks turns morality on its head, celebrating and coolly dissecting the art of murder and its perfections. This volume also contains De Quincey's best-known piece of literary criticism, "On the Knocking at the Gate in Macbeth," and his finest tale of terror, "The Avenger," a disturbing exploration of violence, vigilantism, and religious persecution. Ranging from gruesomely vivid reportage and brilliantly funny satiric high jinks to penetrating literary and aesthetic criticism, these essays had a remarkable impact on crime, terror, and detective fiction. They are also a key contribution to the satiric tradition, as well as on the rise of nineteenth-century decadence. The bibliography is the most extensive available on critical responses to De Quincey's essays on murder and violence, and the essays included here have never been annotated so thoroughly before. They reveal--often for the first time--De Quincey's debts, remarkable erudition, and encyclopedic knowledge of contemporary crime.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.